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Free Wheel Real Locking VND/CPL Mega Cut: two -minute review
Filters are an essential element of photography and video because, for most parts, they allow you to control the exposure. Whether you are intending to connect the shutter speed or firing on a wider apertures than possible, the filters are a way to achieve the desired results.
Free Wheel Real Locking VND/CPL Mega Kit is a comprehensive filter kit built around a variable ND/polarizer and ND -32 filter, in which a couple of pairs filters throw good measure measures. This is a stackable kit, which allows you to combine multiple filters as needed. Where the cut is different from others, instead of being magnetic, how clip and on the adapter ring.
Freewell has rightly said that connecting the clip is a more secure system than magnetic, and resulting in the variable ND accidentally low adjustments. The only negative in the system is that it is not as easy as magnetic systems, and you have to make sure that the filter is safe.
There are two real locking VND/CPL kits available here: mega cut and all day kit. I tested the mega kit, shooting both photos and videos to see how the overall cut and individual filters perform. First, you have a base color, and they are available with a lens cap ranging from 49 mm to 82 mm that can be used with a ring placed on the desired lens. The filters are 82 mm, so the adapter rings, which can allow you to use them in several lenses.
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You can use fog filters, ND32 or any other separately available filters in the filters available individually on the base color. The variable ND has been paired with a polarizing filter, and using both together works surprisingly. To adjust the polarizing effect, you will have to rotate the entire filter by issuing a rubber locking grip and changing it until the desired effect. Then, to adjust the variable ND, you only move the marker to the desired power, which is up to three to seven stops.
The kit also comes with the ND32 filter, which includes a five -stop lighting density. It can be used in isolation or for the density of blocking 12 -stop lights made with VND, so a couple of couples stop at a large stopper. With VND for seven stops, there is no color cast in the photo, though when ND32 is also attached, there is a small gesture of red or merga.
When I say minor, I mean minor-Rangin cast is just visible for colorful trained eyes, and can be easily removed in editing software. When ND32 is used in isolation, there is a light cast that is slightly red, minimal, as is decorated with VD.
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ND filters are the best of the video, which offers the ability to quickly control the exhibition while maintaining the right shutter speed to achieve the movement. For the photography of the landscape, you can extend the expansion times of water and blurred clouds, while filters also make it possible to shoot at large apertures in bright conditions.
There is no specific information about the construction of the filters glasses, but you can see that they are coated, and when they use them, they are excellent. The colorful offer is also excellent, which is the only problem with the aforementioned color cast. Both filters also work well and do what they claim to do.
The glue double 1/4 filter blums sheds a little, on the contrary, smooth and adds to the cinema’s cinema without losing any sophistication. With this filter, Dodd spreads to midtones. In the examples below, you will see the sun star of the filter -free version, but opening in the center.
The snow fog 1/4 filter Blooms Glow Mist highlights more than 1/4 filter and vice versa is smooth, but with low spread in midtones. This filter has completely opened the sun star in a circular highlight. Both of these filters can be used for all kinds of photography to use cinema effects as well as cinema effects.
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My only minor grip with the megac is that when ND32 and two filters are inserted into the case of smart conditions with magnetic hooks, when the middle and reader filters are slightly tight when removing them from the case. However, the matter is well prepared and saves the entire cut safely.
The lens caps has been created in the NFC, which takes you to the Free Wheel website ‘Hub’ for lessons, user guides and other things. This is a bit trick and is potentially unnecessary, but it is definitely a modern and unique feature.
The back cap, which is connected to the VND/CPL, has a built -in gray card and white balance for color calibration. This, I have to say, especially for video capture, where you can ensure colorful consistency while shooting with filters and with filters on different powers.
Free Wheel Real Locking VND/CPL Mega Cut: Key Sixty
Filter slot | Stackable |
The adapter rings | Added 82 mm (49 mm to 82 mm separately) |
Polarizing filter | Built in vnd |
Includes case | Yes |
The lens cap | Yes |
Free Wheel Real Locking VND/CPL Mega Cut Price and Availability
There are two real locking VND/CPL kits available here: mega cut and all day kit. They are now available on the Amazon and Free Wheel website. All day kit Amazon is available in US for $ 250 and includes VNND3-7/CPL base, an ND32, an 82 mm base color, an NFC front lens cap, a white balance back cap, filters case and cleaning cloth. In Amazon in the UK all day kit is priced at 7 227.43. Australia price TBC.
The mega cut includes all the above mentioned ice fog 1/4 and a glue double 1/4. This kit is worth $ 350 and pricing for both is in the US dollar on the Free Wheel website, which means that if you are out of the US, you will need to check the right cost in your currency at the time of purchase.
The kits are not cheap, but their cost is like magnetic filter kits. Other filters can be purchased separately, as well as additional twenty colors, which come with NFC front lens hats.
Should I buy Free Wheel Real Locking VND/CPL Mega Kit?
If buy it …
If not buy it …
How did I experience Free Wheel Real Locking VD/CPL Mega Kit
- Used for image and video capture
- Filters tested and stacked individually
- Experienced in different light conditions
I tested Free Wheel Real Locking VND/CPL Mega Kit in a couple of weeks and used various photography and video shoots using various lenses with 82 mm and 77 mm filter threads. I used the filters individually and stacked as needed to evaluate the performance in a range of sequences.
I also tested filters in various light conditions to test their effectiveness in relation to the manufacturer’s claims, as well as how the effects of filters work in different situations.
Reviewed first October 2025
1 Comment
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