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Panasonic Lumix S. 100-500 mm F5-7.1 OIS: A minute Review
Lomix S is Panasonic’s first ultra-telphoto zoom lens for the 100-500 mm F5-7.1 OIS L-MOUNT system, and there is an interesting possibility for photographers and video graphors who are seeking to shoot articles from a medium.
As someone who occasionally sank in wildlife, sports and direct music photography, I wanted to see that these lenses could be paired with a lomix camera, and a couple of weeks of use impressed me a lot.
Given its zoom range, the lens is relatively lightweight and compact, and it is built in a solid and well -constructed assurance. It is splash proof and dust proof, so I had no coam about using it in the season, and it comes with a lens hood to prevent unwanted sunlight and provide extra protection to the front element. When it is riding on a tripod, it is also provided (removal) mount to ensure proper balance.
Panasonic has stopped lenses with some premium properties, especially double -ball optical image stabilization (OIS). The company says it offers up to 7 stops of compensation, and with a lens connected to the Lemix S1R II camera, I have learned that it is likely to shoot at 500 mm handheld and get permanently faster steel and video. The OIS ensured that the frame was barely transferred to View Finder, which has suggested that some very impressive work be done through the system.
Other important features include some useful external control, including a tight smooth color to adjust the stress during zooming.
The performance in the full 100-500 mm range is very strong, though the maximum aperture of F/7.1 (500 mm) to F/5 (at the wider end) can be a bit slow for some users. I found that I was still able to take sharp shots at 500 mm in low light conditions with the help of OIS, but fast ultra telephotoos are available.
The optics of the lenses are excellent, even with good sophistication, even when you wide open shooting, no noticeable vengting, and purple/green fringe is well controlled.
Overall, the Panasonic Lomx S. 100-500 mm F5-7.1 OIS is a terrific lens for any L-Mount Camera user who wants to shoot away articles with ease and high quality. There are cheap alternatives, but they are heavy – and I suspect that this lens has improved them with its excellent optics and OI.
Panasonic Lumix S. 100-500 mm F5-7.1 OIS: Price
- Price is $ 2,099 / £ 1,799 / AU $ 3,699
- Includes lens hood and tripod mount
- Available from October 2025
The Panasonic Lomx S. 100-500 mm F5-7.1 OIS is priced at 0 2,099 / £ 1,799 / AU $ 3,699, and is available from October 2025 (November in Australia). The package includes a removable tripod mount and lens hood, but there is no storage bag.
You can speak at a tight budget price, but you are getting a lot of money for money. Not only is it equipped with full frame cameras, weather-proof, and a very efficient OIS setup, but it is also Panasonic’s first ultra telephoto zoom for the L-Mount system. And it’s not like lomix shooters have many alternative choices, especially in such a compact package. Sigma offers some competitors in its 150-600 mm F5-6.3 and 60-600 mm F4.5-6.3, but the two lenses are very large and heavy.
Panasonic Lumix S. 100-500 mm F5-7.1 OIS SC
Type: | Ultra telephoto zoom |
Mount: | L mount |
Sensor: | The full frame |
Focal length: | 100-500 mm |
Max Aperture: | F5-7.1 |
Minimum Focus: | 2.62ft / 0.8m to 4.92ft / 1.5m |
Filter size: | 82 mm |
Dimension: | 7.72 x 3.62 inches / 196.1 x 92 mm (Excluded. Tapai Mount) |
Weight: | 2.83lb / 1.285 kg |
Panasonic Lumix S. 100-500 mm F5-7.1 OIS: Design
- Lightweight and compact for its limit
- Splash proof and dust -proof
- Tight smooth zoom color
If you are addicted to a wide-angle and standard zoom, Panasonic Lomix S. 100-500 mm F5-7.1 OIS will feel like a large and heavy lens, but given the focal length limit, it is really compact, when only 196.1 mm long, and is lightly at 1,285g.
When riding a tripod, Pan, Panasonic, to balance balance, has deliberately added a metal tripod ring. If you want to shoot in portrait orientation, it revolves around the barrel, and if you are shooting handheld and wanting to keep bulk and weight minimal, it can be completely removed.
The lens is made for premium standards with very little sports or flakes in any plastic or metal elements. Panasonic calls it a splash proof and dust -proof, so it is usable in drizzle and light rain, and perhaps even worse.
Picture 1 Injured 3
Panasonic has added switches to limit focus distance (it can be set in a full, or 5 meters infinity), switch between auto and manual focus, and toggle between OIS methods. The focus color and the focus button can also be customized in various functions, at least when the lens is connected to the Panasonic camera.
Perhaps its most notable design feature, though, has a tough smooth color, which allows the user to make fine adjustments to zoom color resistance. The videoographer who wants to zoom during the rolling may really find it very useful, but I personally say that I have made the least difference in the toughest and fastest settings. Then once again, I was mostly shooting steel photo, so maybe I’m not a target user here.
Panasonic Lomx S. 100-500 mm F5-7.1 OIS: Performance
- Stability in 7EV compensation
- Silent, Acute Auto Focus
- Maximum aperture of f/5 to F/7.1
The lens performs excellent quality throughout the board, though I should initially resolve its potential Achilles Heel: With maximum aperture of F/5 to F/7.1, it is not the fastest zoom nearby. That said, I never found a particularly slow use, even when shooting in the condition of twilight. And as a result of an increase in aperture size, it is a more expensive, large and heavy piece of glass.
The lens is optically excellent, and does not show any rotation at 100 mm, which I expect, but even widespread shooting is widely shooting. They are fully usable when needed F/5 to F/7.1 settings, in other words – though peeking the pixel I can see a slight increase in sophistication while reducing the aperture through a two stops.
Picture 1 Injured 15
Image stability is a huge help in low light and handheld shooting, because when the shutter speed is needed, those extra stops of motion compensation really help. I could even shoot the video handheld at 500 mm without any real problem, and the silent auto -focuses worked quickly and properly, without lifting it on the mic.
The lens has a minimum fox distance of 0.8m on a wide end and 1.5M on the telephone, which allowed me to shoot articles with impressive detail. This is not a macro lens in any way, but use it carefully and you can capture the very fast and detailed photos of small articles.
Bokia is smooth and attractive, thanks to a circular aperture diaphragm, and Panasonic has taken steps to eliminate focus in video shooting. Overall, I was very impressed with this lens, and if I was a regular wildlife or sports photographer, I would have been very tempted to add it to my collection.
Do you buy Panasonic Lomix S. 100-500 mm F5-7.1 OIS?
If buy it …
If not buy it …
How did I experience Panasonic Lomx S. 100-500 mm F5-7.1 OIS
- I experienced her more than two weeks
- I shot wildlife, candidates and landscape
- I laid the lens on the Panasonic Lumix S1R II
In two weeks I spent shooting with Panasonic Lomix S. 100-500 mm F5-7.1 OIS, which I linked to the Panasonic Lomix S1R II. I shot Wildlife photos and video clips, people and scenes in different focal lengths, used lens handhelds and mounted on tripod, and tested it in different light conditions and at different times of the day.
All images of the sample you see above have been shot in the raw, which is imported to my MacBook Air and is adjusted to the Adobe Light Room. Note that they are not presented in their original resolution, as the file size will be high.
- Reviewed first October 2025
